Outlaw Biker: My Life at Full Throttle Review

Outlaw Biker: My Life at Full Throttle
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Dick Hayes's story "Outlaw Biker: My Life at Full Throttle" is perhaps one of the few realistic, centerline stories of a man who adopted the 1%er lifestyle and the motorcycle that goes with it as his way of living life. He is not a Sonny Barger nor a Ruben Cavazos, but rather a run-of-the-mill guy / biker who lived the bulk of his life on the fringes of society with all that entails...that's why he calls himself an outlaw biker.
In the macro picture he's your average 1%er and he describes how really unromantic the daily doings of a outlaw rider are despite the few, primarily criminal, "bright spots" - all that ultimately lead to either the hospital, the courts, or prison from what Dick describes.
As with nearly all bios and auto-bios coming from this slice of the criminal culture, little if any remorse is extended to the victims of the outlaw biker world's dependence on drug dealing, theft, firearms trafficking, sexual slavery, assault, murder, rape, domestic violence and all those other society-killing activities that keep him and those like him rolling on two wheels.
This exclusion of individual responsibility is yet another affirmation coming from the 1%er sub-culture of why Hunter Thompson ended his book on the Hells Angels with this advice from "The Heart of Darkness", the classic tome of Man at his very worst -
"The horror! The horror!...Exterminate all the brutes!"
Cleanly written, easy to put down and pick back up again, kudos to his co-writer for bringing it to life in print.

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Here is the true story of Richard "Deadeye" Hayes in all its bad-ass, balls-to-the-wall glory. This is a man who stole a machine gun before he was seven and lost his left eye when a good friend shot him in the face. As a member-and the president-of the infamous Los Valientes motorcycle club, he broke more laws and had more fun than any six of the coolest guys you know. One of the last true Outlaw Bikers, Deadeye knows what it means to be a man, take shit from no one, and have tattoos that actually say something. Riding, drug dealing, and sending men to the hospital with his bare hands, Deadeye made himself a legend among bikers-all the while making sure his daughters never got mixed up with guys like him. In his own words, Deadeye tells it all. From earning his colors with an outlaw motorcycle club to his steady diet of drugs, sex, violence, and crime, this is his story: true life, yet larger than life, and full throttle all the way

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Strange Bedfellows: How Late-Night Comedy Turns Democracy into a Joke Review

Strange Bedfellows: How Late-Night Comedy Turns Democracy into a Joke
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I enjoyed every page of this book, and for me that's unusual. It was like reading a favorite editorial columnist's thoughts, but on a fresh and inventive topic. Russell L. Peterson's thoughts run toward those of political humorists in the great American tradition of serious debate infused with serious wit. His insights into television's uneven record on political humor is well-informed and cautionary, including "mainstream" news, commentary, and political humor from Saturday Night Live to Stephen Colbert, as well as all the usual suspects of late-night "talk show" monologues. And when was the last time you read a humorous political book that was fully annotated and indexed? Strange Bedfellows is a scholarly work cleverly masquerading as a highly entertaining fun-with-politics romp. (Or maybe it's the other way around?) No matter, entertaining it is. There are some clues modestly inserted here and there on the cover flaps that indicate what kind of chops the author has utilized to pull this off: A PhD in American Studies, real-life experience in standup comedy, political cartooning, and (this is a guess) a heckuva lot of critical T.V. viewing. Not since the late Neil Postman's "How to Watch T.V. News" have I read anything as eye-opening about television and its subtle, maybe even unintentional, but certainly powerful affect on its viewers.

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It is no coincidence that presidential candidates have been making it a point to add the late-night comedy circuit to the campaign trail in recent years. In 2004, when John Kerry decided it was time to do his first national television interview, he did not choose CBS's 60 Minutes, ABC's Nightline, or NBC Nightly News. Kerry picked Comedy Central's The Daily Show. When George W. Bush was lagging in the polls, his appearance on the David Letterman Show gave him a measurable boost. Candidates for the 2008 presidential election began their late-night bookings almost as soon as they launched their campaigns.How can this be? The reason is that polls have been consistently finding that a significant number of Americans-and an even larger proportion of those under the age of thirty-get at least some of their "news" about politics and national affairs from comedy shows. While this trend toward what some have called "infotainment" seems to herald the descent of our national discourse-the triumph of entertainment over substance-the reality, according to Russell L. Peterson, is more complex. He explains that this programming is more than a mere replacement for traditional news outlets; it plays its own role in shaping public perception of government and the political process.From Johnny Carson to Jon Stewart, from Chevy Chase's spoofing of President Ford on Saturday Night Live to Stephen Colbert's roasting of President Bush at the White House Correspondents Dinner, Strange Bedfellows explores what Americans have found so funny about our political institutions and the people who inhabit them, and asks what this says about the health of our democracy. Comparing the mainstream network hosts-Jay, Dave, Conan, and Johnny before them-who have always strived to be "equal opportunity offenders" to the newer, edgier crop of comedians on cable networks, Peterson shows how each brand of satire plays off a different level of Americans' frustrations with politics.

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Funny Bones: Comedy Games and Activities for Kids Review

Funny Bones: Comedy Games and Activities for Kids
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Recommended for young people ages 9-12, Funny Bones by Lisa Bany-Winters (Director, Northlight Academy Children's Theater Program, Northlight Theater, Skokie, Illinois) is a 160 page book chock full of comedic activities young people ages 9 to 12 can try out, and range from learning how to tell a joke to improvisational games, to physical comedy, to short comedy scenes from classic plays for young actors, and more. Black and white illustrations add a special charm to this great ideas and reference book, ideal for birthday parties and budding comedians.

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I Ain't Scared of You: Bernie Mac On How Life Is Review

I Ain't Scared of You:  Bernie Mac On How Life Is
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If you love to laugh you must get this tape! To hear Bernie read this audio tape is just downright hilarity. Bernie is the best comedian out there today. He tells it like it is. People dont like when people tell it like it is. I guess thats why this tape has not got a 5 star review all the way around.
Now,if you have the book thats cool. But you must get the audio tape or cd. Bernie is hilarious. He covers everything from growing up in the hood. Why he wont go back to the hood-or should I say remember were you came from. He comments on his family,funerals,sex,relstionships-I had tears running down my eyes with the THOR story and every time Bernie yells out "Down goes Frazier!" He also comments on other comedians-why he would kill Moe from the three stooges. Lending money,and on and on and on.
If you like to laugh,you have to have this tape. I will buy the book also,just to have around,but I will listen to this tape until it wears out then I will go get another one. Bernie is the funniest man on the market right now. He will be around for a long time.

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Great Comedians Talk About Comedy Review

Great Comedians Talk About Comedy
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It's no secret that comedians -- great and not-so-great -- are influenced by the WORK of other comedians. The advent of film in the 20th century made this a lot easier since when a comedian died the work was still available...and now with videos etc. it's easier than ever.
But what about HOW these comedians made laughs...how they were inspired...what specific techniques they used and did not use...and what advice they would give anyone interested in going into any area of comedy?
Those have been tough answers to get. To do it you'd have to buy a slew of good and sometimes rotten bios, many of them out of print. Until now. Stand-up comedian Larry Wilde's Great Comedians Talk About Comedy brings it all together.
Great Comedians is a superb, singular achievement that collects within one lively, 402-page, info-packed volume, detailed interviews done over several years with some of the 20th century's greatest comedians and comedy actors.
The selection is absolutely mind-boggling: Woody Allen, Milton Berle, Shelly Berman, Jack Benny, Joey Bishop, George Burns, Johnny Carson, Maurice Chevalier, Phyllis Diller, Jimmy Durante, Bob Hope, Dick Gregory, George Jessle, Jerry Lewis, Jerry Seinfeld, Danny Thomas and Ed Wynn.
Each interview is presented in straight Q&A format so you get to "hear" the question and "hear" the response, from what the comedian/comedy actor says to his/her own speech pattern. These folks worked in venues from vaudeville, to radio, to night clubs, to radio to early silent movies to talkies to TV. And their responses to questions contain revelations and constant inspiration.
A key theme: how "making it" in comedy requires timing, good material, dogged persistance, constant analysis of jokes/laughs and being LIKEABLE to an audience. Copying someone's stage personna or stealing their jokes just won't do it.
My favorite interviews were with Woody Allen (how he writes ten jokes on everything from matchbooks to napkins and only uses a few; how he won't try jokes out on friends since they're often too negative; how audience appeal MATTERS...and his pointing to Jackie Gleason as someone who often had a lousey show but people loved him), Jack Benny (the importance of learning comedy and advancing step by step...an explanation of his legendary timing), Joey Bishop ("...Luck cannot sustain you.Only talent can sustain you.."), George Burns (tips on timing, attitude and the importance emulating but not copying other performers), Phyllis Diller (five truly SUPERB short inspirational tips that can advance MANY careers...Her high laugh per minute standards), and Jerry Seinfeld (timing, getting into a focused mental framework and how his love of comedy as a kid blossomed).
This book an essential for ANYONE interested in comedy, or for students of comedy, public speakers, or anyone who simply wants to be funny in public. It's ALL HERE: the inspiration, the tips, the stories, the bios...the TOOLS.
It's now a cliche to say "comedy isn't easy" and the whole process is mysterious. Larry Wilde's Great Comedians Talk About Comedy makes it less mysterious and -- a a bit easier.

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The TV Writer's Workbook: A Creative Approach To Television Scripts Review

The TV Writer's Workbook: A Creative Approach To Television Scripts
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I've been using Ellen Sandler's book as a guide for the last few weeks, and I feel I've done much better work in that short time than I did all last year. The book is mainly geared towards sitcom writers, and for those interested in writing a comedy spec, this book is the one to get!

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Why is TV writing different from any other kind of writing? How will writing a spec script open doors? What do I have to do to get a job writing for TV? Writing for television is a business. And, like any business, there are proven strategies for success. In this unique hands-on guide, television writer and producer Ellen Sandler shares the trade secrets she learned while writing for hit shows like Everybody Loves Raymond and Coach. She offers concrete advice on everything from finding a story to getting hired on a current series.Filled with easy-to-implement exercises and practical wisdom, this ingenious how-to handbook outlines the steps for becoming a professional TV writer, starting with a winning script. Sandler explains the difference between "selling" and "telling," form and formula, theme and plot. Discover:• A technique for breaking down a show style so you're as close to being in the writing room as you can get without actually having a job there• The 3 elements for that essential Concept Line that you must havein order to create a story with passion and consequence• Mining the 7 Deadly Sins for fresh and original story lines• Sample scripts from hit shows• In-depth graphs, script breakdown charts, vital checkpointsalong the way, and much, much more!

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Comedy FAQs and Answers: How the Stand-up Biz Really Works Review

Comedy FAQs and Answers: How the Stand-up Biz Really Works
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I've been doing quite a bit of reasearch on the net and this book would have saved me lots of time had I bought this book first. Everything I've learned from hours of looking is in this one book.

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The Unofficial Guide to Las Vegas 2009 (Unofficial Guides) Review

The Unofficial Guide to Las Vegas 2009 (Unofficial Guides)
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I've been a fan of Bob Sehlinger, the author, ever since I first discovered his other book, The Unofficial Guide Walt Disney World 2009 (Unofficial Guides). Since I was planning a trip to Las Vegas, I decided to buy this guidebook even though I'd been to the city many times before. Partly I was curious to see if this would live up to his WDW book, and partly because I wanted input on planning which shows to see, which restaurants to visit, etc. I've broken my comments on each major section of the book into separate paragraphs below.
Hotels: This section is kind of an odd grab bag of information. The author has an extensive list of covered hotels and offers a write-up of each one. Yet the information covered is often more of a general description than a true critique that would help the average traveler. For example, the Wynn Las Vegas receives three full pages of text but in all of that, there is virtually nothing said about the rooms. When reading these entries, it's more similar to how a novelist would set a scene than how I would expect a travel writer to critique a hotel. There is a chart that shows an overall rating for the hotel as well as a room rating, but no details are offered.
Restaurants: There are far too many restaurants in Las Vegas for any guide to review them all in depth but the author does a good job of breaking down your options at the major hotels. Beginning with summarized lists that show favorites by category, coverage then shifts to more detailed write-ups for each location in alphabetical order. Each restaurant receives ratings for quality, value, and an overall score. In addition, there are helpful comments. This section is very helpful.
Entertainment: There is a chart that ranks all shows in order of entertainment value followed by detailed write-ups of each show with ratings broken down by age group. This is by far the best coverage of shows that I've seen in any of the Las Vegas guides. Given the cost of tickets to these extravaganzas, this section alone is worth the price of the book as it can steer you to a great experience or help you avoid a less worthy show that you might have been considering.
Nightclubs: This section is not as comprehensive as those listed above, but it is still quite good. There are no ratings, but there are detailed reviews and tips for each of the major clubs. I don't spend a lot of time on this because I'm not a clubber, but this is at least as much coverage, and probably more, as I've seen in the other guides.
Gambling: This is the only Las Vegas guidebook that I have seen with a whole section devoted to teaching the basics of gambling. I'm not sure how seriously to take the advice since I definitely feel they overstate the difficulty of playing blackjack. Overall, it's nice that they included this, but it's no substitute for a good book on the subject.
Other: The Unofficial Guide does a decent job of covering all the miscellaneous bases. Attractions such as the Star Trek Experience at the Las Vegas Hilton get solid reviews that will help you decide whether it's your cup of tea or not. The Liberace Museum, however, is almost buried in the back with a single paragraph of coverage. All in all, I would say that these items are covered better in the Frommer's guide and if they are a big priority to you, it will be something of a black mark against this book.
Overall, it's easy for me to recommend this book. I spent quite a bit of time going through Frommer's Las Vegas 2009 (Frommer's Complete) and Fodor's Las Vegas 2009 (Fodor's Gold Guides) and this is much more comprehensive. It does have some weaknesses, however, and they are worth considering. The worst flaw is the nature of the hotel coverage. While a good many pages are devoted to it, detail on rooms gets short shrift. Still, this is Las Vegas and people generally don't come here to spend a lot of time inside their rooms so maybe you really do care more about the casino, lobby, etc. on which a lot of the author's prose focuses. A more minor quibble is the coverage of miscellaneous attractions but this is still pretty solid for the most part. If The Unofficial Guide to Las Vegas isn't quite up to the level of the author's Walt Disney World guide, that's not really a crime. The key is how well it stacks up to other Vegas guides and the answer is very well indeed. I give it four stars and a strong recommendation. I'll hold the fifth star for the edition where hotel coverage is strengthened a notch.

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More than 4 million copies sold! This series is the only one that offers evaluations based on reader surveys and critiques, compiled by a team of unbiased inspectors.
• Hotels, attractions, and restaurants in all price categories
• Extensive information on shopping, nightlife, and sports
• Easy-to-use, two-color design
• Detailed, 2-color maps

From the publishers of The Unofficial Guide® to Walt Disney World®"A Tourist's Best Friend!"-Chicago Sun-Times"Indispensable"-The New York TimesFive Great Features and Benefits offered ONLY by The Unofficial Guide®:* Over 100 hotels and casinos rated and ranked - the most offered by any guidebook - plus proven strategies for getting the best rate* Complete detailed descriptions of each casino and casino hotel* In-depth critical reviews of Las Vegas' 60 best shows and 30 top nightspots - the most offered by any guidebook* Detailed reviews of more than 100 restaurants - a complete dining guide within the guide, plus the best buffets rated and ranked* Fifty pages of gambling tips from how to play, recognize sucker games, and cut the house advantage to the bone


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Musical Improv Comedy: Creating Songs in the Moment Review

Musical Improv Comedy: Creating Songs in the Moment
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I teach Children's Comedy Theatre in North Hollywood. We have been doing improvised singing for a long time and I've always wanted a nice easy resource to use when teaching people how to create a song on the spot. This book is it. Not only is it VERY simple to follow and an excellent source of information, it also contains a CD that will be a fixture in my teaching for ages to come. If anyone has ever improvised a song, played music, or just wanted to be able to think quicker on their feet, this is the book for you.


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The best comedy improv singers know every trick in this book, a great addition to any performer's library. Clear, everydaylanguage explains each element of an improvised song. Simple building blocks are combined with performance tips to raise a performer'smusical improvisation to its highest level. The included CD, featuring cast members from ImprovOlympic West's hilarious Opening Night, TheImprovised Musical, provides * examples * exercises * practice accompaniments

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Too Fat to Fish Review

Too Fat to Fish
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I picked up TOO FAT TO FISH, the autobiography of comedian and HOWARD STERN SHOW cast member Artie Lange, expecting to flip-read it. But, starting with a funny introduction from Stern that Lange matches or exceeds laugh-per-page for the rest of the book, TOO FAT TO FISH did not leave my hands until I read every word.
Despite Stern's introduction, Artie Lange does not say much about his work on the radio show in TOO FAT TO FISH until the last couple of chapters. But Lange and coauthor Anthony Bozza hold your attention throughout the pre-Stern years with tales of the comedian's charmed life. I say "charmed life" because, despite Lange's tendencies toward alcohol/drug abuse, gambling, overeating, and angry outbursts, a world of family and friends - even show-business friends - watch his back. There are a number of touching moments, especially regarding his parents. Prepare to choke up as Artie Lange realizes the only difference between homeless drug addicts and him is the support of those who loved this 296-lb. prodigal son. Nonetheless, even reflections such as that lead to some of the funniest comments in TOO FAT TO FISH thanks to Lange's ability to laugh at himself, wisecracking his way through the details of his darkest moments.
Howard Stern hired Artie Lange on his radio show in 2001 after joke whiz Jackie Martling left. But the void Lange filled best was that of Sam Kinison, a regular HOWARD STERN SHOW guest whose combination of comic talent, substance abuse problems and volatile personality made for hours of compelling radio until his untimely 1992 death.
While there are not as many HOWARD STERN SHOW-related anecdotes as you may expect, TOO FAT TO FISH has a number of celebrity stories. For example, Artie Lange's work with the likes of Tom Cruise and Chevy Chase result in two of his most memorable tales about the ups and downs of the entertainment industry.
Read TOO FAT TO FISH.


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Improvisation for the Spirit: Live a More Creative, Spontaneous, and Courageous Life Using the Tools of Improv Comedy Review

Improvisation for the Spirit: Live a More Creative, Spontaneous, and Courageous Life Using the Tools of Improv Comedy
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What a fresh, chock-full-of-good-ideas,common sense book! Katie Goodman tackles so many of the everyday worries that drag us down, injecting all the humor and wisdom gleaned from her improv work onto every page. She certainly put a little more bounce into this reader's step. It is a challenge to live a spontaneous, mindful life, and Goodman offers a delightful, funny guide. Many ticks above the usual self-help book.

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How to Be a Working Comic: An Insider's Guide to a Career in Stand-Up Comedy Review

How to Be a Working Comic: An Insider's Guide to a Career in Stand-Up Comedy
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How To Be A Working Comic is the first book you should read before attempting a comedy career. It will show you how to get on stage, and what to do after you step off the stage. A book that is simple and easy to read and yet it covers every detail on getting a booker intrested in calling you. Dave you couldn't have made it any easer unless you went on stage for me, and gave me the paycheck. Thanks a thousand laughs.

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Getting ahead in standup comedy means having an original slant on things. Many books and comedy classes offer "secrets" and "formulas" intended to make the aspiring comic a big success. In How to Be a Working Comic, author Dave Schwensen points out that the performers who are in demand never follow the same path—and neither should you if you want to excel in this demanding, competitive profession. Offering more insiders' advice than any other manual, this book shows you how to try out material; get onstage experience; market your act to talent bookers, agents, and managers; go on the road; get on television, and much more. Supplementing the author's own expertise are his interviews with more than sixteen proven talents, including Drew Carey, Carrot Top, Jeff Foxworthy, and Tommy Smothers—all of whom embody the qualities of originality, career know-how, and laughter. Schwensen assumes you already believe you're funny enough to tackle a comedy career. Making sure you develop a comic vision that's completely your own is the essential lesson in starting out in the exciting but crowded field of standup comedy.

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I Killed: True Stories of the Road from America's Top Comics Review

I Killed: True Stories of the Road from America's Top Comics
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The Publishers' Weekly review on this page says this book is fantastic "bathroom reading." I guess they mean that it's perfect for people who don't always have time to sit down and read for an hour or two at a stretch. Because the stories in here are so short, it's easy to read for ten minutes, get a few complete stories and good chuckles, and then put the book down for next time. There are well over a hundred stories in here so if you read the book this way it'll last you for a while!
The feeling of the book is a bit like the documentary The Aristocrats-- you get the feeling that the comics are not "performing" but just sitting back and exchanging their favorite crazy stories. Not all the stories are hilarious, but most of them are very entertaining and there are some that will stick in my mind for a LONG time. Some of the stuff these guys confess to is great--Chris Rock talking about call girls, Tom Arnold about murdering goldfish, many, many stories of one-night stands and drug use. I think my favorite story has to be Doug Stanhope's one about the 5-dollar streetwalker who turns out to have a couple of surprises hidden away. I also loved the one about the comic's mother and Rodney Dangerfield.
This is also a good book for anyone interested in the history of comedy--along with all the contemporary stuff, there are lots of stories about legendary comedy greats like Rodney Dangerfield, Johnny Carson, Richard Pryor, Andy Kaufman (Bob Zmuda contributes a great story about the Tony Clifton character).
This book doesn't go for the gross-out humor nearly as much as The Aristocrats did, but because it shows comics talking how they REALLY talk, it is definitely PG-13 or R-rated. But if you don't need your humor to be squeaky, sit-com clean (I certainly dont) then you will really get a kick out of this book.


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In a hilarious look at real life on the comedy circuit, some of America's most famous comics share their own stories of life on the road, gigs gone wrong, and unexpected, zany moments, with contributions by Jay Leno, Jerry Seinfeld, Chris Rock, Mike Myers, Bill Maher, Joan Rivers, Jeff Foxworthy, and others.--This text refers to the Kindle Edition edition.

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The Best British Stand-Up and Comedy Routines Review

The Best British Stand-Up and Comedy Routines
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The introductions to each selected stand up comic are a big plus, very well written texts to accompany extracts from shows that represent the best there is - at least I think this way because they're hilarious. There is a CD with selected bits from each comic - simply great fun !!

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With an introduction to each artist, transcripts and audio of the routines and special added extra material bring you the following. Rory Bremner, the best impressionist in the world, does Prince Charles Monty Python's unmatched Dead Parrot Eddie Izzard's bizarre world reaches its height in Cats and Dogs Lenny Henry does Delbert Wilkins, the Brixton wide-boy born of the famous 80s riots Rowan Atkinson and Monty Python's Four Yorkshiremen get stuck in a spiral of one-downmanship Steve Coogan introduces his chain-smoking alter-ego Paul Calf (not to be confused with Pauline Calf) Pete and Dud send up British reserve and push each other to the limits of comic invention in The Psychiatrist Jo Brand, the queen of British stand up, on the attractions of her birthplace, Hastings Peter Cook and Rowan Atkinson give their prophetic, comedic best in The End of the World Bill Hicks, the late American comedy supreme, asks another of his penetrating questions in "What is Pornography?"

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And Here's the Kicker: Conversations with 21 Top Humor Writers on their Craft Review

And Here's the Kicker: Conversations with 21 Top Humor Writers on their Craft
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I guess its a little weird for me to be writing a review of this, because I'm in it. But its a great book. Its one of those books that is hard to put down. I just keep reading and re-reading my interview over and over and over. I am just that interesting. No, no. That's a joke. Its the other interviews that I really get caught up in. Summing up: If you want to read a lot of contemporary funny writers talking about writing comedy, I can't imagine a better book than this one.

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You're Funny: Turn Your Sense of Humor Into a Lucrative New Career Review

You're Funny: Turn Your Sense of Humor Into a Lucrative New Career
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I loved this book! D. B. Gilles has a gift and it is his uncanny
ability to inform and instruct with wit and candor. He takes the
fear out of writing (and comedy writing scared me) by walking
you through the steps and various topics. But best, he instills in
the reader the belief that with the right attitude and tools one
can succeed. This book is organized, focused and filled with, yes,
funny stuff!

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You re Funny! is the next best thing to being in a comedy writing class. It covers the different ways to earn a living as a comedy writer, including writing sitcoms, jokes for late night talk shows, parody, stand up, and screenwriting.

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Born Standing Up: A Comic's Life Review

Born Standing Up: A Comic's Life
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My pre-ordered copy from Amazon arrived the day before Thanksgiving. I tried to explain to my son who was home from college for the break how much I looked forward to reading Steve Martin's autobiography. He thought it sounded about as interesting as reading the autobiography of Chevy Chase.
But to anyone old enough to remember Steve Martin's sensational, if seemingly brief, career as a stand-up comic, this is a fascinating book, not to be missed. There is much here that was new to me. I had no idea, for example, that he appeared so many times on the Tonight Show before becoming really famous, or that he had appeared as a bearded, long-haired comedian before adopting his famous clean-cut 3-piece white suit look, or that he suffered from debilitating panic attacks just as he began his career as a writer on the Smothers Brothers show.
For the first 80 pages or so I thought his life story was a bit humdrum, almost like a parody of Bob Dylan's "Chronicles". Martin grew up 2 miles from Disneyland, and the fact that he became an entertainer seemed almost inevitable. But the book really takes off as he recounts the early days of his career making the transition from magician with a few funny bits to a full-blown stand-up comic. Not that Steve Martin is the colossal genius that Bob Dylan is, but it's interesting that much as Dylan describes how he became a songwriter because he realized he could never succeed as a virtuoso guitarist, Martin writes how he became a comic because, well, who doesn't want to be in show business?
At the height of his career as a stand-up comic Steve Martin was the funniest man in America. One of the joys of this book is that he appreciates how funny he was and delights in retelling the same jokes that amused us then and amuse us now. For the generation of Americans who came of age in the Seventies, Steve Martin's routines remain an important part of our lives. For example, for me personally, on the night in September 1978 when I finished my first day as a microprocessor programmer I recalled his profound insight: "...and the most amazing thing to me is: I get paid for doing this." I am very grateful that Steve Martin has taken the time to write this book.


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